
Green
Pearl 2005
Winner
of the Telecom White Pages Art Scholarship
MEDIA RELEASE
16 September 2005
Spirit of
Wanganui captured by White Pages® Art Award Winner
Wanganui
artist André Brönnimann has won the region’s coveted White Pages Art Award
with his piece ‘Green Pearl.’ His
artwork will be showcased on the cover of the 2005/06 Wanganui White Pages,
which will be distributed to approximately 59,000 homes and businesses in the
Wanganui region in October 2005.
The 2005 Wanganui White Pages Art Award was open to anyone living in the area
covered by the Wanganui White Pages at the time of entry.
The White Pages Art Awards programme raises funds to support the
New Zealand
kids’ helpline What’s Up. At
the close of the awards programme all artworks are gifted to What’s Up.
They are then sold to raise funds, primarily through the White Pages Arts
Charity Auction. As White Pages
covers all auction and sale expenses, every dollar paid goes to What’s Up.
By entering the White Pages Art Awards, artists assist hundreds of young
New Zealanders each day.
This is the fourth time André has had his art featured on the cover of the
directory – an unprecedented achievement in
New Zealand
. Completely self-taught, André
previously won in 2001 (‘Crossing the Bridge’), 2003 (‘Mowhanau Magic’)
and 2004 (‘Bird of
Paradise
’). He has lived in Wanganui for
10 years.
“It’s the fourth time now that I have been privileged to receive this award
and it’s just as exciting as the first time,” says André.
“It’s a special feeling to know that something I have created will
finds its way in to every Wanganui household.
“It is another big step towards my goal of becoming a fulltime artist.”
André was inspired by the vast blue sky above the ever changing ocean and river
and the rich, green pastures that surround Wanganui.
“I hope it summarizes all those good things I hear the people of Wanganui say
about their beautiful place every day,” says André.
“I
have used this particular section of the opera house on two other paintings,”
adds André. “It’s based on a
perspective of standing very close to the building in order to gain the towering
appearance. Additionally, instead of
painting down to ground level I continued the vertical lines of the structure to
give it its surreal height.
“Each painting I embark upon is first sketched on paper.
This gives me the freedom to sort out the best perspectives and placement
of objects. When complete, this gets
transferred onto canvas. This allows
me to fully concentrate on the colouring and shading.
I use fast drying acrylic paint.
“I tend to begin a painting based on a visual concept.
My main focus is on its aesthetic value and its ability to catch one’s
eye. In this particular painting I
like the idea of seeing Wanganui as a gem that has it all, depicted here as its
own planet peacefully floating above the ocean.”